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This song originated from two of the purposes of Samhain, at least in my local grove: First, to honor the final harvest of the last few plants before frost arrives, and to honor our beloved dead, especially those who left us in the last year. From there, it was a matter of looking at what last bits of value we can glean from the passing humans, just as we went through the garden looking for the last tubers and roots that we might eat.
A new season, a new song, this one for Stone Creed Grove's Eleusinia rite organized by yours truly. This song was written in honor of the deity most focused on in that ritual, Persephone, who takes her journey from our world to take up her winter role as queen of the Underworld.
This song was written for the recent Stone Creed Grove Lughnassadh celebration, as a way of honoring the standard heroic story that Lugh exemplifies, but this time from a different perspective than the usual one. What has changed here is that the hero is almost passive in his participation in the events, while the powers of the land (e.g. Morrigan) are testing him in various ways to ensure that he is actually worthy of taking on the burdens of rulership.
This song was written for the upcoming Stone Creed Grove Midsummer celebration, with the focus on the agricultural activities of the summer. This seemed appropriate as I was out sweating in the garden one day prepping beds for vegetables: That kind of digging in the dirt makes you appreciate the cycles of life quite thoroughly.
This song was written for the upcoming Stone Creed Grove Beltaine (May day) celebration, with the focus on both the Good Neighbors / Otherkin / Sidhefolk, and the practice of driving humans and cattle between fires to purify and strengthen them for the coming season.